Anthony White’s research focuses on the history of modern and contemporary art. His forthcoming co-authored book, Recentring Australian Art (2023), investigates artists who have been excluded from mainstream art history. He is the author of Italian Modern Art in the Age of Fascism (2020); Art as Enterprise: Social and Economic Engagement in Contemporary Art (with Grace McQuilten, 2016); and Lucio Fontana: Between Utopia and Kitsch (2011). He has written for Grey Room, October, Third Text, and Artforum. He curated the exhibitions Jackson Pollock’s Blue Poles (National Gallery of Australia, 2002) and The Art of Making Sense (The Dax Centre, 2008).